Saturday, November 3, 2018

Movie Review: Bohemian Rhapsody

As a rule, I not only don’t do movie reviews but I don’t buy movies. I had a small (probably 15 tapes) VHS collection that I tossed when we moved to Red Wing in 2014. I have about that many DVDs, most of which my wife inherited from her father and some motorcycle DVDs that were sent to me to review when I wrote for Minnesota Motorcycle Monthly magazine. I kept most of the review DVDs because I couldn’t find anyone to give them to. Mostly, I’m happy to watch a movie once and forget about it.

Bohemian Rhapsody may prove to be an exception.

Before you get driven away from seeing Bohemian Rhapsody by the bullshit reviews—most of which apparently wanted long scenes of gay erotica, lots of orgies, and other soap opera gibberish—try to imagine that the band (and, most likely, Freddie) wanted a movie about their musical lives and the music. That is the movie they made and they have good reason to be proud of the outcome. (Brian May and Roger Taylor are listed as “Executive Music Producers) Also, remember that when the band was in its prime most of the reviewers, media rags, and television nitwits hated Queen and Queen’s music, including Bohemian Rhapsody. They were wrong then and they are wrong now, but at least they are consistent. Take everything Rolling Stone, the New York Times, Rotten Tomatoes, the Guardian, and the rest of the wannabe rock critics with a block of highly diluted salt. A typical comment from that crowd was this bit of drivel by a Pitchfork reviewer, "The film also manages to rob Mercury of nearly all his queer pleasures." Another way to say that would be that the film manages to keep its eye on the musical ball rather than Freddy Mercury's balls.

Likewise, the movie spends a little time portraying the media obscessing on Mercury’s sex life, even during band media events intended to promote their music and touring. Nobody dislikes having their image accurately held up for ridicule and nobody deserves that more than the entertainment jackals.

Rami Malek nailed Freddy Mercury perfectly and bozos like sore loser Sacha Baron Cohen are just jealous that not only did he not get the part but the members of Queen thought Cohen’s take on Mercury was pure bullshit. The movie covers more territory in 2 1/4 hours than we have a right to expect from a pop music movie. All four of the character actors who played the band’s members knocked their parts out of the park. Brian May must have felt like he was watching a 30 year old mirror Gwilym Lee had him down so perfectly. Honestly, before a recent documentary about Queen and this movie, I didn’t know squat about Roger Taylor or John Deacon, but Ben Hardy and Joseph Mazzello nailed the characters I saw in the BBC documentary and all of the scenes I’ve seen of Queen on stage.

Watching the actors in the recording studio reminded me of how much I love that world. The freedom, creativity, sounds, energy, control, fun make the recording studio one of the few places on the planet that some of us every get to be who we are; the best of who we are. Taking time away from the performances, the recording studio experience, to spend it on Mercury’s gay high life would have ruined the movie for me. Watching the band on stage, backstage, and on the road reminded me of why people get into pop music in the first place.

Movies are snapshots, at best. They are not rambling 1,000 page tomes on history, society, and sociology. Screenplay authors often have to condense moments that you and I might think are important to something that, to us, may not resemble the story we’ve heard. Often, the story we’ve heard has been distorted and doesn’t even slightly resemble the truth. Movies are not Ken Burns PBS documentaries that can go on for hours in a series of segments. 135 minutes is pushing the boundaries of movie length and if you would have rather had less of Queen’s Live Aid performance or any of the music this movie was supposed to be about and more gay bar scenes, you probably were never a Queen fan. This a movie for fans of the band’s music, but probably not a tell-all semi-porno if that’s what you’re hoping for. 

 

1 comment:

Anonymous said...

We went, we saw, we agreed. Thanks for the recommendation.

Wirebender Audio Rants

Over the dozen years I taught audio engineering at Musictech College and McNally Smith College of Music, I accumulated a lot of material that might be useful to all sorts of budding audio techs and musicians. This site will include comments and questions about professional audio standards, practices, and equipment. I will add occasional product reviews with as many objective and irrational opinions as possible.